Monday, July 28, 2014
L.A. singer-songwriter Charlie Greene has launched a new video series, Dead Man's Cattle Call, in tribute to his deceased musical heroes. Each clip captures a live performance by Greene and friends of a song by one of the legends, including Ray Price, Slim Whitman and, in the most recent episode, Lou Reed. View this latest video for "The Power of Positive Drinking" here!
Wednesday, June 18, 2014
|Skye Vaughan-Jayne, Mike Christie and Kevin Bombay of the Black Marquee at the Cat & Fiddle|
6530 Sunset Blvd., Los Angeles (Hollywood) 323-468-3800
Some musical groups are comprised of siblings or lifelong friends, while some are put together by a management bigwig because they've got the right look. The Black Marquee is not one of those bands.
Each member of the Los Angeles-based trio has been playing in bands since his early teens, and the driving force for them all has and will always be a fierce passion for and commitment to music.
"Some bands come from somebody writing a song on Pro Tools but never learning how to actually play it," describes the Black Marquee's vocalist/bassist Mike Christie. "They just chopped and edited it all together."
"It's embarrassing to see how many people are trying to play rock music and how terrible they are at doing it," continues vocalist/guitarist Skye Vaughan-Jayne. "It takes away from what we're trying to do, the effort that we put into, and it's also turning off the people that would want to enjoy that experience. When I was a kid, the bands I would go see seemed like magic to me. I wondered, 'how are you so good, so tight.' And now, it's shit."
"That's what separates us from other bands. We're a rock band, the real deal. We still believe in the concept of playing, putting in the work and trying to be good. I've taken gigs and said, 'I'm not into this, but it beats digging a ditch,' but sometimes you're on stage and you say, 'Man, I really wish I was digging that ditch right now," laughs guitarist Kevin Bombay. "I don't want that with these guys. I've been waiting to be in a band like this for a long time. Everyone has the same set of goals and realities. It's not like we're going to take over the world or change people's lives, but we put out a rock record in 2014."
The album Kevin is referring to is the Black Marquee's debut full-length, Sessions From the Hive: Volume 1, that released three months ago. We meet at one of the city's most popular watering holes, the Cat & Fiddle, for a round of drinks and to talk about the new album and those magical concerts Skye is referring to.
Kevin chose the pub/restaurant because its location in the heart of Hollywood is central for the band members, who live in Silver Lake, Mid-City and the Valley.
"I used to work across the street, and we would come here for Happy Hour every day – or, sometimes at noon," Kevin confesses, making everyone laugh. "Working there was very 'WKRP in Cincinnati,' a lot of bad habits were accrued there."
The building that the Cat & Fiddle resides in was originally used to store film costumes, as a studio commissary and even as a set location for Casablanca. British musician Kim Gardner eventually moved his successful Laurel Canyon pub into the space in the '80s, and his family continues to run the establishment to this day. Sports fans flock to the place on game days, trivia junkies fill the pub on Quiz Night and Hollywood movers and shakers discuss deals over a pint and a plate of Beer Battered Fish & Chips on a daily basis.
We sit down at a table on the Cat & Fiddle's picturesque patio, and the Black Marquee, who are all Southern California natives, divulge some info on the places they would frequent growing up.
"I would go to the over-21 clubs and just hang out in the parking lot with friends. We would go to Club Lingerie and Scream, waiting for the parties to happen after hours. Then, we would use fake IDs until I eventually became old enough to get in," tells Kevin. "When I used my real ID for the first time, the guy at the door said, 'I fucking knew it,' because I had been going there for three years!"
"My fake ID was the best. I was supposed to be 33, the 5-foot 1-inch singer of this band with a shaved head and a mustache," admits Mike. "I used that ID from age 13 to 20."
"I used a check cashing ID, the worst fake ID of all time," Skye remembers. "I came up here to L.A. [from his hometown in Orange County] on a regular basis to go to shows, but down there we used to get so many great punk shows at Old World."
One of the few things Skye appreciates about growing up in the O.C. is the rich punk scene there.
"When I was young I loved the New York Dolls, Johnny Thunders. Then, when I was in a band, Beer City Rockers, we got the opportunity to play with the U.S. Bombs and other people doing slightly different punk rock, so that led me to different styles of music," he says. "Eventually when I was in Bullets and Octane we had a bunch of opportunities, like opening up for the Buzzcocks. Being able to tour extensively definitely opened my eyes up as a songwriter and the experiences of where we are at now."
"Watching David Bowie perform 'TVC 15' with Klaus Nomi on 'Saturday Night Live' made an impression on me as a kid. Seeing the Rolling Stones do 'Shattered' on 'Saturday Night Live,' there was just something about this. Then KISS came along and I traded in my tennis racket, which I would play air guitar on, for a real guitar," recalls Kevin. "I started playing when I was 14, and I was lucky enough to play with a lot of older people who told me right off the bat what to do: 'Don't be an asshole. This is the path you should be on, don't be like us. Do as I say, not as I do.' Not to say that I didn't fuck up or stumble because I did for a lot of years."
"I started with music super young, too," Mike chimes in. "I had an older brother who got me into it. The first tape he ever gave me was Das Klown, Circle Jerks and Agression – and I was hooked. He was seven years older, playing with older guys. I started playing when I was 12, so by the time I was 13 I was playing with people in their mid-20s and started touring when I was 14. That's when I had the sweet 33-year-old ID."
Growing up a little inland of Los Angeles, Mike eventually decided to relocate to Arizona, where he lived for 11 years. Although he didn't really live there that much since he was constantly on the road touring.
"As long as you're on the road, it doesn't matter where you live. We would tour all the time," he says. "The more you tour, the smaller your world gets. We basically ran into the same bunch of people and started band hopping, filling in on certain shit."
Eventually the band Mike was in, ADHD, played with Chelsea Smiles, Skye's group at the time, and the basis for the foundation of the Black Marquee was formed. Kevin came into the fold about a year-and-a-half ago through a mutual friend of his and Skye's.
"I came in, did two rehearsals and within two or three weeks we did a show at the Viper Room. My audition was basically trial by fire at the Viper Room," Kevin chuckles. "We started recording the album in July of last year and finished in December with our friend Tony [Rambo] who produced, engineered and recorded it at the studio where I work. When projects came into the studio, the album got pushed back. It was a waiting game."
"Some things are worth waiting for, though," Skye adds. "I'm very happy with the product that we got out of it."
"Once we finished, got out of the studio and took a break from it for about a month, then, I was really stoked on it," admits Mike.
"I walked away from it until the master came. I popped it on in my car and was like, 'Wow, this record is really good. I would listen to this,'" exclaims Skye in agreement.
"As the lineup has changed so has our writing process. Some of the songs on the album were actually taken from a different session where Rich [Berardi] was drumming with Skye, me and another lead guitarist who quit the day before we went into the studio. Those songs were already fleshed out, but we did a lot of the guitar details on the fly in the studio. Cut to three or four months later, and we have Kevin who added his two cents to it," Mike remembers. "Usually somebody comes up with some kind of skeleton of 'here's a riff, bridge and chorus, I have no idea what it's going to sound like but let's jam it and see what happens.' Lately it's been cool because with us three have all found our role. Kevin has a super unique guitar sound that just adds to everything. That really light, airy guitar vibe mixed with Skye's more static, raw sound – it just works."
"Kevin uses cleaner guitar tones with a lot of delay, which is something that I would never fuck with. Stylistically everything is so unique, and that is what sets us apart," reflects Skye. "It grasps from our punk rock roots, our sleaze and glitter shit. It's definitely doing its own thing, and it's out of our control on how it's going to turn out."
"It's at that place where it just happens," Mike continues. "Early on it was like, 'What do we want this to sound like? What are we going for?' Now it's like, 'Whatever we write, that's what it is."
"I went through my iTunes collection listening to the early demos, and what they sound like now is completely different. Now we do have an identity with our sound, so when someone comes up with a riff and we all jump in, we know when we're on to something," Kevin says. "We're all still learning how to communicate with each other musically and being friends. Things are a little bit different now because we're a little bit older and it's not us hanging out with each other 24/7, drinking going to strip clubs—"
"Speak for yourself!" Skye interrupts before adding, "We're grownups now."
Being grownups means having day jobs, a new baby for Mike and going back to school for Skye.
"This is the music I want to be playing at this age," states Kevin. "I couldn't be back in a simple punk rock band anymore like when I was 18."
"That had it's time and place," Skye agrees. "It was good when it was there, but it's time to do this now. Now we all actually enjoy it, too. Even if I'm in a terrible mood and don't want to go to rehearsal, once I'm there for five minutes it changes my whole day and I don't want to leave. We're there for three hours, and then I say, 'I could stay for another three hours.' Even if your voice is shot, you still want to keep playing."
"Our biggest enemy is time; we just don't have enough of it to dedicate it to what we want to do," tells Kevin.
"Yeah, this whole grownup thing is really cutting into my music time!" laughs Mike.
Since their debut is called Sessions from the Hive: Volume 1, the obvious question is when a second volume will be released.
"It's all up here," says Skye, pointing to his head. "Volume 2 is all up here."
"Back in January, Mike was expecting his first kid so we knew were going to have some time off. Up until then, we were just fleshing out ideas in the studio. It was a really creative time because the record was done, we would walk in and just start playing something and everyone would jump in. All of a sudden we had fragments of songs. It was turning into something, but then the drummer we were playing with got a call to play with Black Flag and just dropped it on us. But it really opened my eyes because I came in late on a lot of the stuff from before, and by the time I found my footing we were done with the record. With this new stuff, we each know what we're good and I see it's going to be a lot better. There's a certain vibe we have when we all get together, and hopefully we will find a fourth one day, but we won't let it stop us."
When I ask if there are places that the band likes to check out new music at in the city, the three have a hard time coming up with anything, but it stirs up a discussion on the state of music today that I believe is a fitting way to end our conversation.
"A lot of the places that we used to hang out at don't exist anymore," Kevin says. "A lot of us don't go out anymore. I can't be bothered."
"To be honest, there's not a lot out there that I want to see," admits Mike. "There isn't one new band in the past five years that I've stumbled across live and said, 'Wow, those guys are badass."
"I've worked at live music venues for the past eight years, and you don't stumble across much," Skye agrees. "I worked at Viper Room for five years and maybe came across four really good bands They're huge now, like Dead Sara, I watched them play for three people and they're a great band."
"The live music culture is dead now. The people who support it, meaning younger people, don't get it," says Kevin. "It's like not understanding vinyl or getting a CD and getting involved with an artist, reading all that you can to get to know the artist, where was the album recorded, who wrote the song. It's so flippant now."
Mike replies with: "It's one thing to read about it or listen to it on your brand-new mp3 player, but there's no integrity like there used to be—"
"To experience it," interjects Kevin. "How many times have you been on stage and you look out into the crowd and everyone's like this [mimes typing on a phone]. Who can you possibly be talking to when all of your friends are here! Or they're watching the show as they're videoing or taking pictures. It's just a bit harder to get people interested in it because there are so many different things going on, like the EDM culture where someone [presses a button]. I didn't grow up with that. Even when we went to dance clubs when I was younger it wasn't as important as seeing a live band."
"When we were growing up, there was a standard," Mike says. "You had to audition to play a club. Now, it just seems like if you a guitar and a Line 6 Modeler you can play anywhere you want—"
"Or have an acoustic guitar and a mustache," interrupts Skye. "With seven people in your band, six tambourines, three chickens and a mule."
"Hipsters really killed music," Kevin says. "I remember going to Spaceland when it was still called Spaceland, and my friends were playing so I got there early. There was a kid up there on stage wearing a diaper and a sweater playing a keyboard. We're watching it and watching it, and I just said, 'Shenanigans! This is bullshit.' The guy said, 'Oh, those guys from Hollywood don't understand.' I said, 'I live down the street [in Silver Lake]. Fuck you!' That was around 2004 when all that weird stuff started creeping in, and I saw the tide beginning to turn. I knew that music was going to take on a whole different sound and look, and playing the guitar was going to be evil."
"All of our reviews in the UK and Central Europe, they get it. They understand what we're trying to do. It's not a foreign concept," he continues. "I was listening to the radio the other day, and it was another band with a banjo, an accordion and people slappin' in the background. That's not rock 'n' roll. Not everything's a fucking Coen brothers movie."
"Everything today is so gimmicky," Mike agrees. "With us, there's no gimmick. We don't have matching outfits or funny hats, we're a rock band. That's it."
Sessions From the Hive: Volume 1 is currently available. The Black Marquee perform June 22 at the Cahuenga Block Party at Velvet Margarita Cantina. For more information, visit blackmarqueelosangeles.com.
Wednesday, June 4, 2014
|Phil Leavitt and Joie Calio of 7Horse at Sonny's Hideaway|
5137 York Blvd., Los Angeles (Highland Park) 323-255-2000
"The first thing that attracted me to this place was that it's called Sonny's Hideaway, and that there's no sign on the door. Instantly it was appealing," describes Phil Leavitt of his favorite place in the city, a supper club in Highland Park. "It has that old-school kind of vibe to it, with the leather booths and wood. It's a throwback in a lot of ways to when I was a little kid in Las Vegas. It had a certain attitude, and I like to live like that if I can. In this place, you can you can come in, just be cool, sit at the bar and cop an attitude."
That's exactly what vocalist/drummer Phil, his 7Horse bandmate, guitarist Joie Calio, and I do at one corner of Sonny's Hideaway's bar when we meet up to talk about the 20-plus years this duo has spent creating songs together, their first musical loves and their new album, Songs for a Voodoo Wedding.
As Phil mentions, he spent his childhood in Sin City, with family members, and eventually him too, landing jobs at casinos. The 7Horse moniker comes from his grandpa always betting on the 7 horse at the track. Gambling isn't all that filled his life, though. Both he and Joie have been surrounded by music since they can remember.
"My dad put himself through dental school playing accordion as a leader of a band. Both of our dads were similar: hip, 1960s booming change and revolution kind of people. Dad had all the popular records of the time. I specifically remember the first album I ever picked up in my life was Surfin' U.S.A. by the Beach Boys. The pop culture movement was happening in my house with the Beatles, Simon & Garfunkel, the Rolling Stones, the Monkees," tells Joie, whose youth was spent in the Bay Area. "From the Monkees' cartoon show, the Beatles' TV show, my parents and my babysitters – blonde, beach types listening to Paul Revere & the Raiders, Herman's Hermits, the Rolling Stones and the radio – I loved it all."
Phil remembers being obsessed with a leather-bound, fold-out LP soundtrack of the original cast recording of "Jesus Christ Superstar" and "The Monkees" too – until his older cousin set him straight at around age 6.
"She said, 'Look, you might like this, but not these guys. These guys,' and she turned me onto the Beatles. The music, the whole idea of a band and the relationship between the people in it, took hold in my mind then because you always got a sense of that with the Beatles from movies like A Hard Day's Night or Help!. It was incredible, these four friends doing all of this together, the romance, the traveling, I got caught up in that," he recalls. "It was the Beatles and nothing but for about 10 years, until I heard the Police. The Police really got under my skin. A lot of it was the drums and Stewart Copeland because he's a phenomenal, revolutionary kind of drummer. I had never heard anything that sounded like that."
"When I was little kid, I would stay up late and watch 'The Tonight Show Starring Johnny Carson' and saw Buddy Rich, the jazz drummer, on it. Seeing him play, then he went over to sit down and mix it up with Carson. The idea that a drummer can be a guy who is a real personality, I connected to that," he adds.
"They make very good Old Fashioneds here. That's what I usually get because I'm a bourbon guy. At Happy Hour it's $6, you really can't beat that," he says. "They have a special menu for Tiki Tuesday, mostly rum drinks, and I had one of those before you got here. It was very good, too."
Joie is sipping a glass of red wine, and when I inquire if he's a connoisseur, he responds, "You could say that. I'm pretty bitchy about wine." He is a fan of Sonny's Hideaway's Ricotta Dumplings, while Phil recommends the Market Greens, Grilled Octopus, Smoked Deviled Eggs and the Bacon Burger that comes with bacon mixed into the ground beef.
"They always put a bit of a spin on things to make them more unique," he says. "I felt good the first time I came into this place, and for me, that's everything. It's not about the scene or what kind of write-ups a place gets, it's about how I feel when I walk through the door, and this place felt good."
Trusting their initial gut feelings about places and people is something that both musicians have done throughout their careers.
"Both of us have been playing music all of our lives. When you play with other musicians, some of them are good and some of them aren't. It's pretty rare when you meet someone who is great and you really click with. When you find somebody where it's like,' Wow, this is a serious connection,' it's a day you don't forget," says Joie. "When I first met Phil, I was in another band, and we were looking for a drummer. I worked at Geffen Records as the head of the mail room—"
"He always likes to work that in," laughs Phil.
"Yes, I was the head of the mail room," exclaims Joie. "I asked a girl in publishing if she knew any drummers, and she said,'I know the best drummer in Los Angeles. I'll get you his number.'"
"Let me tell you why she thought I was the best drummer in Los Angeles," interrupts Phil. "She used to come over to my house late at night, and we would have sex."
"That may have helped, but that's not why," Joie replies. "We invited him down to rehearsal, and it was just [claps hands] holy shit, crazy."
The two spent seven years together with Michael Gurley in dada before the band parted ways in 1999.
"When the first phase of our music career came to an end in the late '90s, that coincided with the end of the old-school record business. I ended up going Las Vegas and doing Blue Man Group for three years because the band got dropped. We had no idea that we could go on without a record label. Ani DeFranco was the only one who was doing her own thing," explains Phil, who also started doing voice over work to pay the bills.
Joie moved to Seattle, Wash., where he still resides today, and continued to release music as well as a memoir, You Can't Hear It But You Know It's There. Eventually, the pair came together again to form 7Horse and began writing material for their debut album, Let the 7Horse Run, over the phone and computer.
"When you had success like we had, if you don't get success again right away it's like, 'failure,'" remarks Joie. "When we started [7Horse], it was completely a left turn. Once we made a commitment to the left turn, we kept focusing on the differences. Let's do something that's different, otherwise we're just going to end up in the same place we were before, which was at a dead end."
Let the 7Horse Run released in 2011 and was indeed a departure from the sound associated with their previous band. The change was a good one, though, as the album's single, "Meth Lab Zoso Sticker," caught the ear of director Martin Scorsese, who used it in a trailer for and several scenes in The Wolf of Wall Street.
The duo hit the road in support of their debut and began working on songs for a new album. One song, "A Friend in Weed," was written as their van was coming into the town of Weed, Calif.
"When we're apart we're always working on stuff, bits and pieces of things," Phil says of their writing process. "We purposely try not to finish songs, leave them in a state of being half done and then send it to the other guy to see what kind of reaction it gets. We finish them right before we record. It keeps it very immediate and fresh. A lot of times, the first time through is the best for capturing that energy."
"We really keep it raw and simple," says Joie. "Once we get rolling, it's like a wave and you stop thinking about it, that's what slows you down. You just go with your feelings; we're pretty good at that."
"We have a focus on what we're trying to accomplish. The tendency when you're young is to be as creative as possible, to try all kinds of different things. There's a constant desire to break away from what you did before and do something totally different. While that can be personally satisfying from an ego point of view, in a lot of ways there's something better about saying, 'We're only going to use four colors in this painting. It's going to be blue, red, green and orange, and that's it.' If you're doing it with limitations, it's much easier to be creative within the framework," comments Phil. "The Beatles ruined it for everybody. That's a band that completely evolved from their early records, but there is only one Beatles. Not everybody can do that."
"They couldn't even last doing it," adds Joie. "It screwed them up, and everything ground to a halt."
"Then you have the Rolling Stones, who are still around because they have a thing that they do. And that's it, keep doing that thing, trying to make it better. Sometimes you succeed, sometimes you fail, but it is a thing, a well-defined idea," Phil continues. "As we've gotten older, we've gotten away from this desire to want to satisfy every creative whim. It's more: 'Let's make whiskey, but let's make the best whiskey.'"
Speaking of whiskey, everyone continues to sip on their drinks, as I ask Joie what prompted his move from Los Angeles to Seattle.
Phil, on the other hand, says he wouldn't want to live anywhere else but Los Angeles.
"I love this place because it has everything, including smog, traffic and the difficulties in dealing with it. When people say, 'I don't like Los Angeles,' I say, 'See ya, we could use a few less of you around to ease up the traffic,'" he laughs. "That's why I like this side of town, because it feels a little less congested, more open and relaxed. Highland Park and York Boulevard are getting trendy and I've only been on this side of town for about five years (I've lived all over, from Malibu and the Valley, to Silver Lake and Hollywood), but I like this place the best."
While Los Angeles is always in his heart, Phil has also fallen in love with New Orleans. His travels to the city for a friend's actual voodoo wedding inspired the name of 7Horse's sophomore effort, Songs for a Voodoo Wedding.
"See those two people over there, the blonde woman and the guy talking gesticulating," Phil asks as he points to a couple standing on another side of the bar. "My wife is over there with them, and the four of us went to New Orleans together. They were the ones getting married down there, this is the couple."
"We're not going to be here every time they do an interview," laughs the man, as he overhears Phil talking about them.
"I love jazz and blues, in particular early rock 'n' roll, and New Orleans is the birthplace of all that. I've been to every music city – Austin, Nashville, New York City, Los Angeles, Chicago – and there's no place like New Orleans," states Phil. "Frenchmen Street, we don't have anything like it in Los Angeles. It's bar after bar after bar, with a crowd and band in every one, and all the bands are good. There's a reggae bar next to a Dixieland old-school traditional jazz band in a bar then a funky brass band. Within 20 minutes, I heard amazing music in four different places just walking down the street. That place really got to me, so I wanted to name check it in our song ['Flying High (With No ID)"] because it's all true. That song has a lot of what really happened. The trip down there I, in fact, showed up at the airport without a driver's license."
Joie interjects, "Wait a second! And…"
"I don't like flying that much, so I thought I would soften the experience with a cannabis lollipop. I get to security, open my wallet and don't have my driver's license. But I think it helped me because under normal circumstances, panic might have set in," Phil divulges. "The real thrust of that song, though, is that time in New Orleans, experiencing the culture there."
As the pair of band brothers prepares for next week's release of Songs for a Voodoo Wedding, they talk about why their musical partnership has been able to withstand so much and persevere over more than two decades.
"When you're 20 years old, you're just blindly go out there thinking the world is going to open up for you," observes Phil. "For some it does. Paul McCartney wrote 'Yesterday' when he was around 22, but how many of those guys are around? I certainly wasn't one. We had to stick it out for a bit longer to get onto something where we feel like, 'this is our thing that we like to do, and we're going to keep doing it no matter what.' We both believe that, so it makes it easy for us to go forward."
"This is really a rebirth, that's the greatest thing about it," continues Joie. "We really a tapped into a whole new line. It's like the spike went into the ground, and a whole new well popped up. It's so refreshing and beautiful. I feel pretty good about it.
"The key ingredient here, what do you need most in life from another person is optimism. Everybody wants to say no, so when you run into somebody who says yes, that's a key ingredient. That's what Joie's about. He's a true believer, and that's what keeps us rolling. You have to have that because it's so difficult. We had to battle with the record company machinery back in the day, and now those days are over. We're on your own, which is great in certain ways, but there's so much to do because the machine doesn't exist to support you; you have to do everything yourself," concludes Phil. "Baseball's another thing that I love, and Tommy Lasorda used to say something like, 'If you have 25 guys pulling on the same side of the rope anything is possible, but if you have half the team pulling the other way saying, 'I don't believe in this thing,' then you're going nowhere.' It's the same thing in a band. If you have two guys going one way and another guy going the other way, even if it's the most talented band in the world, it's going to be impossible. But if you don't stop, you can't fail."
Songs for a Voodoo Wedding will be available June 10. For more information, visit http://7horsemusic.com/.
Wednesday, May 21, 2014
My Los Angeles with
If you watched Kate Hudson and Anne Hathaway duke it out in the film Bride Wars, you probably shed some tears during the touching scene right before they walk down the aisle. "Dream, "the song that provided the soundtrack to this climactic scene was pivotal in tugging at the heartstrings, perhaps even more than the wistful glances between the movie's leads.
Priscilla Ahn is the L.A. singer-songwriter who penned "Dream," and while that tune is beautiful and powerfully emotional, it's really just the tip of the iceberg when it comes to the artist's talent. Growing up in Pennsylvania, Ahn began crafting songs and playing the guitar at age 14; she performed in front of an audience for the first time before even turning 18. Music eventually led Ahn to Los Angeles, and I was lucky enough to have witnessed some of her first shows in the city almost a decade ago. Her stellar voice had me from first listen.
Since then, she has released two full-lengths via Blue Note (2008's Joey Waronker-produced A Good Day, When You Grow Up from 2011) and two Japanese albums, as well as touring the world with the likes of Willie Nelson, Ray LaMontagne, Joshua Radin and Devotchka. For her latest effort, last February's This Is Where We Are, Ahn took a solitary trip to the desert for songwriting inspiration.
The journey proved transformative, as the resulting tracks mark a slight departure from her sparse, acoustic-based songs into the realm of electropop. There's not doubt that the pulsating beats of This Is Where We Are's opener "Diana," "Home" and "You And Me" make you want to dance. Additionally, the electronic elements on the album's quietly gorgeous ballads ("Remember How I Broke Your Heart," "I Can't Fall Asleep," "OOOOOOO") never overshadow her dreamy vocals.
Ahn is winding down a North American trek in support of the album with two L.A.-area shows next week. After a month on the road, it's going to be good to be back home and visit some of the places she's been craving. She took some time away from tour madness to share the special places that make up her Los Angeles with Jigsaw.
Favorite venue to play, and your fondest show memory there: The Hotel Cafe (Hollywood)
There are so many great venues in the city that I love, but I've played at Hotel the most. I have so many old recordings of when I was just starting out there. That place holds a lot of good memories for me ... lots of support and love.
Venue to see another singer-songwriter or band play: The Hotel Cafe (Hollywood)
It's usually a great listening room, and it's not far from where I live, which always helps. I'm an old, house lady now – the closer, the better.
Last great local act you caught: Alex Lilly
She's amazing. I love all her other projects too, including Obi Best and Touché. Her new solo stuff is rad!
Café to grab a coffee/tea, and usual order there: Broome Street General Store (Silver Lake)
I usually get an iced latte. [They have] great coffee, a sweet outdoor patio and beautiful clothes and wares inside. Who doesn't like to shop and sip coffee at the same time?
Place for people-watching: Hollywood & Highland (Hollywood)
Not that I ever go there, but I drive through there almost every day. I love seeing all the tourists and the guys dressed up as creepy Spider-Man, etc.
Restaurant, and favorite dish there: Jitlada (East Hollywood)
This restaurant slays me – my all time fave, in the country! I always get the crab claw curry with morning glories.
Clothes shop: Mohawk General Store (Silver Lake)
My last few great finds are from here. It's expensive, but it's really high quality. Whenever I make a purchase, I just tell myself I will wear it for the rest of my life.
Record shop: Counterpoint Records & Books (Franklin Village)
I've gotten many vinyls here, especially from their $1 bin. I've made some really amazing discoveries in that pile!
Bookstore: The Last Bookstore (Downtown)
I love getting lost in a bookstore, and that's easy to do here.
Place to take out-of-town visitors: Griffith Park Observatory (Griffith Park) or Venice Beach
We'll either do the beautiful and easy hike to the observatory, or rent bikes at Venice.
For Inspiration/Rejuvenation: Zuma Beach (Malibu)
It's a little bit of a drive, so it feels like you're removed from the city, and it's just gorgeous there.
This Is Where We Are is currently available. Priscilla Ahn performs May 30 at the Masonic Lodge at Hollywood Forever and May 31 at the Constellation Room. For more information, visit priscillaahn.com.
Thursday, May 15, 2014
Get with THE PROGRAM
THURSDAY, MAY 15
Artopia @ Grand Central Market (Downtown)
Sometimes I just love walking through the Arts District to look at all the street art and just absorb all of the creativity that is in the air in the neighborhood. LA Weekly celebrates the area's vibrant art scene with this event that brings together live art installations, music, film and fashion under one roof. Since the venue is Grand Central Market, there is plenty of food and drink to be purchased from vendors who are staying open after regular hours (Horse Thief, Sticky Rice, Valerie at GCM, G&B Coffee, to name a few) as you're walking through the exhibits.
TMZ Comedy Tour @ The Ice House (Pasadena)
Often times what makes the bits of celebrity gossip revealed on "TMZ" so riveting are the people that deliver them. That's because some of those personalities have been entertaining crowds from comedy stages for years. Tonight's stand-up event gives four of the TV show's regulars – Brian McDaniel, Rick Mitchell, Katie Hayes and Myke Anthony – the spotlight to share their witty commentary on pop culture and beyond.
FRIDAY, MAY 16
In Theaters This Week
The always great Aaron Taylor-Johnson, Elizabeth Olsen and Bryan Cranston lead a cast that also includes Sally Hawkins, Ken Watanabe and Juliette Binoche in Godzilla; Million Dollar Arm stars Jon Hamm as a sports agent who recruits cricket players to play in the MLB. Also in theaters: Stage Fright
Maximo Park @ Troubadour (West Hollywood)
The British fivesome is touring the nation in support of their latest album, Too Much Information, that released last month and stop in Los Angeles tonight. Kick off your weekend swaying to the beat of new songs "Leave This Island" and "Midnight on the Hill" and singing along with older tracks like "Apply Some Pressure," "Going Missing" and "Our Velocity." You are sure to work up a sweat, let go of some of the week's stress and have some fun.
Amgen Tour of California (Santa Clarita to Mountain High)
One of the best parts of the Tour de France broadcast in the summer is watching the fans that stand on the sidelines, yelling at the top of the their lungs while wearing awesomely ridiculous outfits to ensure they get on TV. If you have ever longed to be one of those passionate crowd-goers, then don't miss your chance to cheer on world-class riders, like Peter Sagan and Mark Cavendish, as they breeze through Southern California. Today they ride from Newhall to Palmdale then up to Big Bear and Mountain High ski resort. Saturday's course runs from Town Center Mall in Santa Clarita and over to Mount Wilson before passing the Rose Bowl, Colorado Street Bridge and Old Town Pasadena. The tour's final stage takes place on Sunday in Thousand Oaks, and it will be thrilling to see who ends up wearing the yellow jersey.
SATURDAY, MAY 17
Ghostbusters 30th Anniversary Art Show @ Gallery 1988 West (Mid-City West)
"Are you troubled by strange noises in the middle of the night? Do you experience feelings of dread in your basement or attic? Have you or your family ever seen a spook, spectra or ghost? If the answer is 'yes,' then don't wait another minute. Pick up the phone and call the professionals…" This year marks many ups and downs for the supernatural comedy: losing one of its writers and stars (Harold Ramis), celebrating its 30th anniversary and the confirmation of a third Ghostbusters film coming to theaters next year. If you're a fan, then you should definitely head over to this touring exhibit's L.A. stop at Gallery 1988 West through June 1. Every piece in the show is awesome, from DKNG's Ecto-1 (above), Joshua Budich's They're Here to Save the World, Tom Whalen's Confectionary Kaiju and Richard Kelly's Keymaster.
Super Saturday @ Barker Hangar (Santa Monica)
If you love searching for bargains at estate or yard sales every weekend, then this "Rolls Royce of garage sales" (as dubbed by the New York Times) is for you. Hosted by celebrity stylist Rachel Zoe and model/actress Molly Sims, Super Saturday not only offers you luxury brands for 30- to 50-percent off, all proceeds go to the Ovarian Cancer Research Fund. You can get clothes and accessories for the whole family for a bargain and help a good cause while you're at it.
Office Space @ Santa Monica High School's Memorial Greek Amphitheatre (Santa Monica)
Eat|See|Hear's outdoor movie-food-music series is in full swing for the summer, and tonight's feature is one of my favorite comedies. If you're loving Mike Judge's new series, "Silicon Valley," on HBO, then you should see Office Space, his first feature-length film. It stars Ron Livingston, Jennifer Aniston, Gary Cole and Stephen Root in a story about workers who can't stand their job or their greedy boss. The End of Summer perform a set before the movie, so grab some grub from food trucks like Son of a Bun, India Jones and Coolhaus and settle in for an awesome night under the stars.
California Strawberry Festival @ Strawberry Meadows of College Park (Oxnard)
As you're driving up the 101 with your windows down on a hot summer day, It's hard to ignore the pleasant, hunger-inducing aromas as you pass the many strawberry farms located in Ventura County. I'm salivating just thinking about it. You can easily satisfy your every strawberry craving today and tomorrow at this year's California Strawberry Festival. Aside from treats like chocolate-dipped strawberries, strawberry pizza, strawberry funnel cake and strawberry margaritas, there are performances from the Young Dubliners and Mariachi Divas, a strawberry pie eating challenge, relay race, hat competition and shortcake build-off contest.
SUNDAY, MAY 18
Artists & Fleas @ Arts District (Downtown)
What could be more relaxing on a Sunday afternoon than perusing the wares of artists, designers and vintage sellers all in one place? This curated marketplace that is open all year long in Brooklyn and Manhattan finally makes its way west. With local vendors like Gull and Marie, Soiyl, Mt. Washington Pottery and Groceries Apparel, you can pick up clothes, jewelry and home goods. There are food vendors and a DJ on site for you to enjoy as you take a break from shopping. Also Saturday, 11 a.m. to 6 p.m.
WEDNESDAY, MAY 21
Isabel Beyoso @ Molly Malone's (Beverly Grove)
This is the perfect show to get you over the mid-week hump. The L.A. singer-songwriter, model and actress released her debut full-length, It's Time, last summer and is performing a special acoustic set tonight. From the heart-wrenching "Pursue Me" to the sassy "Better Than Nothing" and delightful "Mm-Mm Spell," Beyoso crafts songs that touch upon your every mood. When she performs them live, they are absolutely entrancing.
Wednesday, May 14, 2014
When the new West Hollywood Library was opened in 2011, the unveiling included this huge Shepard Fairey mural. The 70- by 106-foot art piece features a majestic elephant holding a flower, as well as a dove, and these images represent peace, freedom and creativity – a word that is part of the city's motto. The library is located at 625 N. San Vicente Boulevard, but West Hollywood Peace Elephant is best seen from the parking lot on El Tovar Place off Robertson Boulevard.
Tuesday, May 13, 2014
May 13, 2014
The Black Keys – Turn Blue (Nonesuch)
When I was first exposed to the blues rock from the Akron, Ohio duo nine years ago, I wondered if mainstream pop culture would ever embrace their sound. It didn't take much time after that for Dan Auerbach and Patrick Carney's music to start appearing in ads for Victoria's Secret and for them to start performing on music festival main stages. With the release of their fifth album, 2008's Attack & Release, the Black Keys began working with producer Brian Burton (aka Danger Mouse), who has co-produced each of their subsequent releases, and as their songs became more radio friendly, their popularity soared. Now, with platinum records and multiple Grammys under their belts, the Keys once again team with Burton for their eighth studio effort, Turn Blue. If you loved their last three albums, then songs like "In Time, "Fever" and "10 Lovers" are going to make you very happy.
Chromeo – White Women (Big Beat/Atlantic)
I can honestly say that I have never been disappointed when I've listened to songs from the Montreal electro-funk pair of David "Dave 1" Macklovitch and Patrick "P-Thugg" Gemayel. The streak continues with the tracks of their fourth album, White Women, which releases today. With infectious beats and often hilarious lyrics, there's a reason Chromeo refer to themselves as the "Larry David of Funk." Just give songs such as "Come Alive" (featuring Toro y Moi), "Over Your Shoulder" and "Lost on the Way Home" (featuring Solange) a spin to see what I mean. You'll smile, you'll giggle and, most of all, you'll dance.
Little Dragon – Nabuma Rubberband (Loma Vista)
Ever since the Swedish foursome burst onto the scene with their self-titled debut in 2007, they've held my interest. Their synthesizers and electronic beats are paired with the soulful voice of frontwoman Yukimi Nagano in bold and innovative, yet completely catchy, ways. "Let Go" and "Klapp Klapp," the first singles from their fourth album, Nabuma Rubberband, immediately grab your ear with pulsating beats, and once Nagano's vocals kick in you are hooked. Although Little Dragon don't have an L.A. date on their current schedule, they are giving you a chance to win tickets to see them perform at Bonnaroo next month. All you have to do to enter is build your own Nabuma Derby car (see instructions here: nabumarubberband.com), then post a photo of your tricked out racer on Twitter or Instagram using #NabumaDerby @LittleDragon and @Redbull.
Michael Jackson – Xscape (Epic)
While you may have mixed feelings about posthumous album releases, there is no way you aren't curious in the least about hearing more new music from the King of Pop. L.A. Reid worked with Michael Jackson's estate to find eight songs that the singer had completed vocals on before teaming with some of the industry's top producers to give the tracks a contemporary finish. The result is Xscape, the second compilation album of new music to be released after the artist's death. Reid enlisted Timbaland to co-executive produce the album, which also contains work from StarGate, Jerome "J-Rock" Harmon, Rodney "Darkchild" Jerkins and John McClain. While songs like "Love Never Felt So Good" (which also has a duet version with Justin Timberlake) sound exactly how you would expect a new MJ jam to, the darker "Blue Gangsta" and title track hint at a different style that we might have seen from him. The deluxe album includes all of the songs in their original forms, a bonus track and two videos.
Tori Amos – Unrepentant Geraldines (Mercury Classics)
I doubt there is a contemporary singer-songwriter who isn't influenced or at least knows the lyrics to one Tori Amos song. Her incredible voice is instantly recognizable, her piano skills phenomenal and her lyrical prowess is incredible. While her last three albums were classical in nature, Unrepentant Geraldiines, her 14th full-length release, is a return to the pop/rock sound she is known for. With songs such as "Trouble's Lament," "Wild Way" and "16 Shades of Blue," Amos has not only continued to push herself creatively she has remained entirely beautiful in eloquence and melody in doing so. See her perform songs from the new album and some favorites on July 23 at the Greek Theatre.
Also available – Bane's Don't Wait Up; Blondie's Blondie 4(0) Ever; Cursed Sails' Rotten Society; Dolly Parton's Blue Smoke; Dylan Gardner's Adventures in Real Time; Eastlink's self-titled; Guided By Voices' Cool Planet; Hiss Tracts' Shortwave Nights; Joseph Arthur's Lou; Killer Be Killed's self-titled; Kishi Bashi's Lighght; La Sera's Hour of the Dawn; Levi Weaver's Your Ghost Keeps Finding Me; Midnight Faces' The Fire Is Gone; Mirah's Changing Light; Mushroomhead's The Righteous & The Butterfly; Only Crime's Pursuance; The Pains of Being Pure at Heart's Days of Abandon; Rascal Flatts' Rewind; Rig 1's North of Maple; Sean Nicholas Savage's Bermuda Waterfall; The Shilohs self-titled; Swans' To Be Kind; Sylar's To Whom It May Concern; Sylvan Esso's self-titled; Thunderegg's C'mon Thunder; Tobacco's Ultima Il Massage; The Trouble With Templeton's Rookie; Walter Martin's We're All Young Together; Watery Love's Decorative Feeding; Weatherbox's Flies In All Directions; Young Widows' Easy Pain
In stores this week – The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet by Nina Teicholz; Bittersweet by Miranda Beverly-Whittemore; Jack of Spies by David Downing; No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State by Glenn Greenwald; President Me: The America That's In My Head by Adam Carolla; The Skin Collector (Lincoln Rhyme) by Jeffery Deaver; Stress Test: Reflections on Financial Crises by Timothy F. Geithner; Think Like a Freak: The Authors of Freakonomics Offer to Retrain Your Brain by Steven D. Levitt and Stephen J. Dubner; We Were Liars by E. Lockhart
Film – Writer/director Spike Jonze won the Academy Award for Best Original Screenplay for Her, a riveting and innovative love story that stars Joaquin Phoenix, Scarlett Johansson, Amy Adams, Chris Pratt and Rooney Mara; Aaron Echkhart, Yvonne Strahovski, Miranda Otto and Bill Nighy in I, Frankenstein; That Awkward Moment follows the dating adventures of three best friends (played by Zac Efron, Michael B. Jordan and Miles Teller)
Music – The Dave Clark Five and Beyond: Glad All Over
TV – Eastbound & Down: The Complete Fourth & Final Season; Longmire: Season 2; Orange Is the New Black: Season 1
Also available – After Tiller; Camp Harlow; Chlorine; Compound Fracture; Crook; Shakespeare: Richard II; Special ID; Squatters; Stalingrad; Stranger By the Lake